Literature questions
The world is changing at an accelerated rate. It becomes more and more like a giant stage with numerous postmodern scripts flashing wildly before our eyes.
Don’t you share this view? This is just a short reminder of recent news:
Geneva, September 10, 2008. The first beam from CERN’s Large Hadron Collider successfully targeted around 27 kilometers from the world’s most powerful particle accelerator at 10:28 this morning.
A European court says the idea of a new supercollider project that could create a “celestial vacuum” (a good name for the black hole) and eventually consume the Earth is worth discussing, but the project can move forward on schedule anyway. .
We wake up every morning to a cheap SF movie from the 70s. Just a mirror reflection of the “state of the art” in human evolution. You have to admit it. We divide the atom, the center of everything, and in doing so we create chaos.
Contemporary poets reflect this chaos. Postmodern literature does the same. Choose the fragments. Out of chaos, modernists and postmodernists draw fragments of life around them. Then they let the reader put these fragments back together.
But do not allow yourself to think in a traditional way when approaching the modern and postmodern subject. literature questions. You have to be open to the experience and it will make sense! The modern author intentionally leaves the work open to interpretation by readers. Endless endings, much like the world we live in. Are these just a sign of new artistic trends or a definitive literary answer to questions from literature? of a new and altered reality?
Literature response
It is increasingly difficult to get the new media savvy generations to acquire a taste for reading classic literature, given the powerful influence of movies, the Internet, and the circumstances mentioned.
You can blog, phlog, vlog, and podcast, all for free, and brace yourself, grateful readers too. You can write and publish your own books (e-books) at a fraction of the cost of a printed book. You can say that this is the positive side of the lyrics of life. Anyone can be a writer and writing no longer seems formidable.
There are opinions that chatting on the Internet or frequently texting on mobile phones is foreign to our children’s language skills.
Communication and language skills have improved with the advent of the Internet. Basically, as we chat more, be it through the network, email or mobile, we write more, express more and somewhere the communication skills improve and the fear of English, French, German, Serbian or whatever. another language disappears.
Emerging trends and technologies in the literature
Understanding the symbolism of the new literary medium can seem like a terrifying experience. The first step to understanding is observation. So let’s look at which are the main carriers of literature response in the new millennium.
Collaborative writing
Wikipedia definition of collaborative writing (this famous web encyclopedia is an illustrative example of collaborative writing itself): “The term collaborative writing refers to projects where written works are created by several people together (collaboratively) rather than individually” .
There is a saying “teamwork makes the dream work”. Collaborative writing can often lead to richer and more complex books than those produced by individuals. Having many people working on a project has added to the creative process. Additionally, they can be immensely supportive of each other. Endless endings?
Begin to recognize postmodern symbols?
Another analogy: instead of the sequential method of tracing in traditional writing, collaborative writing takes all the media out of interactivity in the creative process. Through the use of communication tools such as the Internet, mobile phones, collaborative writing software, etc. , the writing process is deconstructed and reassembled, preferably managed by the group, the community, even the readers, the audience, rather than being alone and selfishly controlled by one person.
Literature born of chaos. Is it another symbol of postmodernism that we have just discovered in the practice of applied literature?
That is why, despite many tangible complexities related to the idea of collaborative writing, it presents a phenomenon of respectful literature. It is here to stay. The main challenge going forward will be how to put it in the written context, “acceptable to all”, instead of continuing to deny its relevance.
Desktop publishing
Due to digital technology and the distribution possibilities offered by the Internet, small publications are now more feasible than ever. Independent voices can be made available to the general reading public, providing new titles, both fiction and non-fiction.
However, setting up and managing a small publisher can seem like a daunting task. Acquire international standard book numbers, purchase a unique internet domain name for your publisher’s website, determine a niche for your publishing efforts, find the most appropriate book printer for your needs, contact small book critics, and Sending attractive press kits, visiting small press trade shows, and networking with other small publishers are just some of the parts of the puzzle that many freelance writers are either unprepared or unwilling to tackle.
While large publishers can claim most of the profit margin, small publishers continue to be increasingly alive and well among the small business group.
Literature display
This is a “hot term,” one of those that can make you look smart at the party. However, the roots of the visualization of literature go back to the first half of the last century. We all remember “The War of the Worlds”, by HG Wells, famous broadcasting, and few of you also, with nostalgia remember the Musical Version of Jeff Wayne with a star like Richard Burton as narrator-protagonist.
In its broader context, the visualization of literature implies all interpretations of the literature of different media. From recorded narrations, popular movie stars, reading children’s literature, video sessions, big-budget film projects, through the digitization of literature and the publication of e-books, to large international projects such as the Gutenberg project, for example. . The book teaser video industry is becoming more prominent.
Another important aspect and interpretation of the term Literature Visualization relates to new and novel writing techniques. Summed up in two words: “Show, don’t tell.” Anticipating the growing aspirations of the new generation of readers who attend many movies and most think visually, authors tend to think of their books as mini-movies, with multi-dimensional characters with a defined point of view.
Dissemination of media on social networks and new models of copyright
In the era of WEB 2.0, social media creates a completely new medium to distribute the message to the masses.
The music industry was the first to recognize the full potential of the Internet and online communities. Many popular music stars and bands first posted their work on the Internet. They timely understood the potential of live and up-close interaction with their audience and the benefits it brings in the short and long term respectively.
The same processes are unfolding within the literature community. The core copyright issue was successfully assimilated through the introduction of the ingenious Creative Common License which offers creators the best way to protect their works while encouraging certain uses of their works.
Literature is inexorably changing, closely following global trends. For scholars of literature, authors, and consumers, it is important to recognize the meaning of contemporary literature questions and the symbolism of genuine literature’s response to the challenges of the new age. This new understanding will add quality tools to our arsenal of literature allowing us to enjoy it in many new and exciting ways.